By Ruth Salvaggio
Hearing Sappho in New Orleans is right now a meditation in this poetic urban, its many languages and cultures, and a background of its forgotten poetry. utilizing Sappho’s fragments as a consultant, Salvaggio roams the streets and neighborhoods of town as she explores the migrations of lyric poetry from historical Greece throughout the African slave alternate to indigenous the US and eventually to New Orleans.
The e-book additionally directs us to the lyric name of poetry, the voice constantly looking for a listener. Writing in a post-Katrina panorama, Salvaggio recovers and ponders the social results of the “long song”—lyric chants, specifically the voices of girls misplaced in time—as it resonates from New Orleans's “poetic websites” like Congo sq., the place Africans and Indians amassed within the early eighteenth century, to the modern day Maple Leaf Bar, the place poets nonetheless convene on Sunday afternoons. She recovers, for instance, an all-but-forgotten younger Creole lady named Lélé and leads us all of the means as much as celebrated modern writers similar to former Louisiana poet laureate Brenda Marie Osbey, Sybil Kein, Nicole Cooley, and Katherine Soniat.
Hearing Sappho in New Orleans is a reminder of poetry’s skill to revive and safe fragile and fragmented connections in a weak and imperiled world.
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Hearing Sappho in New Orleans: The Call of Poetry from Congo Square to the Ninth Ward (Southern Literary Studies) by Ruth Salvaggio
by Mark
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